{"id":28648,"date":"2024-09-18T12:03:16","date_gmt":"2024-09-18T10:03:16","guid":{"rendered":"https:\/\/ggm.gda.pl\/?p=28648"},"modified":"2024-12-16T12:33:35","modified_gmt":"2024-12-16T11:33:35","slug":"marina-grzinic-dissident-histories-insurgent-futurities","status":"publish","type":"post","link":"https:\/\/ggm.gda.pl\/en\/28648\/marina-grzinic-dissident-histories-insurgent-futurities\/","title":{"rendered":"Marina GR\u017dINI\u0106 DISSIDENT HISTORIES. INSURGENT FUTURITIES"},"content":{"rendered":"\t\t
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with Aina \u0160MID, Tja\u0161a KANCLER, Jovita PRISTOV\u0160EK<\/span><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Venue: <\/strong>G\u00fcnter Grass Gallery in Gda\u0144sk<\/span><\/p>\n

Dates:<\/strong> 08.10-15.12.2024<\/span><\/p>\n

Opening night:<\/strong> October 8, 2024 at 6 PM<\/span><\/p>\n

Curator:<\/strong> \u0141ukasz Guzek<\/span><\/p>\n

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Co-Curator: <\/strong>Mara Ambro\u017ei\u010d Verderber<\/span><\/p>\n

Exhibition project:<\/strong> Marina Gr\u017eini\u0107 i Jovita Pristov\u0161ek<\/span><\/p>\n

Conference:<\/strong> 09.10.2024, 2.00 PM | Europejskie Centrum Solidarno\u015bci <\/span><\/p>\n

Exhibition opening hours:<\/span> Tuesday-Sunday, 12.00 PM – 6.00 PM<\/span><\/p>\n

Free admission!<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u0141ukasz GUZEK <\/span><\/p>\n

DECOLONIZATION OF HISTORY <\/span><\/p>\n

Statement by the exhibition curator<\/span><\/p>\n

\u00a0<\/span><\/p>\n

The central point of reference around which the concept of Marina Gr\u017eini\u0107’s exhibition was organized is the process of reevaluating our view of the changes taking place in culture and art under the influence of new trends revolutionizing Western thinking in the times of the new Migration Period.<\/span> Irreversibly.<\/span> Because it is a natural feature of such migrations.<\/span><\/p>\n

\u00a0<\/p>\n

To make any changes, a new standard of thinking is needed, not only about the future, but also about history.<\/span> European history was the history of individual noble houses.<\/span> T<\/span>he history of the Partitions of Poland was the internal matter of European families, as well.<\/span> Nation states, including Poland, were created after World War I, and this process continued in the 1990s, when Slovenia was created.<\/span> Today, it is the new Migration Period that is shaping a new history in Europe.<\/span> It is no longer the history of states, because the nation state is based on the exclusion of \u2018Others.\u2019 The new history is the social history of \u2018Others,\u2019 of people and cultures.<\/span> We are witnessing the emergence of a new, post-migration era European society.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Gr\u017eini\u0107 & \u0160mid, Tri sestre (Three Sisters), 1992. \u00a9 Gr\u017eini\u0107 & \u0160mid. <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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<\/span><\/p>

That is why we are talking about this in Gda\u0144sk, a symbolic place for Europe, where in the years 1980\u20131988 dissident work was done, a revolution based on debate and non-stop negotiations which led to a new post-Cold War Europe, the tearing down of the Iron Curtain, and the destruction of the Berlin Wall.<\/span> This is an example of changing history through dialogue, not violence.<\/span><\/p>

\u00a0<\/span><\/p>

The exhibition begins with a reference to Dada, and in particular to the Berlin Dada.<\/span> Dadaism not only revolutionized art, but was also a social movement with a pan-European reach.<\/span> Dada social art resulted from a critique of the culture that led to World War I. It was aimed at the anti-democratic and anti-freedom processes taking place in Germany, but also in Europe, in the period preceding World War II.<\/span> Dadaism was a loud alarm signal that the world was heading towards a catastrophe.<\/span> This catastrophe occurred, together with the horror of the Holocaust.<\/span> Art, as we know it, has lost its meaning.<\/span> The Holocaust had a European reach.<\/span> Art is needed now that will initiate a critical way of thinking on a pan-European scale.<\/span><\/p>

\u00a0<\/p>

The exhibition prepared by Marina Gr\u017eini\u0107 and her assistant Jovita Pristov\u0161ek at the Gunter Grass Gallery in Gda\u0144sk is another chapter in the presentation of ideas that constitute the content of Marina Gr\u017eini\u0107\u2019s films, always made in teams.<\/span> Their point of reference is the context \u2013 political and social, cultural and anthropological \u2013 and not the individuality of the artist herself, which was the paradigm of Western art.<\/span> Thus, resignation from exposing the ego is a manifesto for abandoning the artistic standards of the West in favor of art as a social practice, as B\u00fcrger defined the avant-garde.<\/span> Or, in other words, in favor of context, as Jan \u015awidzi\u0144ski suggested in his theory of \u2018art as contextual art,\u2019 which takes on meaning in a given place and situation for the people present there, without claims to objectivity and universality.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/p>

\u00a0<\/p>

The current exhibition at the G\u00fcnter Grass Gallery in Gda\u0144sk entitled <\/span>Dissident Histories. Insurgent Futurities<\/span> consists of six films, in addition to those made in a duet with Aina \u0160mid, new productions with Tja\u0161a Kancler and Jovita Pristov\u0161ek are also presented.<\/span> The artists, as is natural in social art, organize a broad discourse around the exhibition with the participation of invited people, both to write texts and to participate in the conference, which is an integral part of the project.<\/span> Klaus Theweleit, who studied the causes of Nazism in the individual psychology of perpetrators, assumes a special place here.<\/span> His explanation has a circular structure, based on the Freudian scheme of psychoanalysis: the social (the model of upbringing) shapes the pathological personality of individuals who create the same society.<\/span> This is an example of how the individual shapes the social and another warning to culture that stems from this exhibition, not to build a society of hatred in Europe today.<\/span><\/p>

\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Gr\u017eini\u0107 & \u0160mid, Trenutki odlo\u010ditve (Moments of Decision), 1985. \u00a9 Gr\u017eini\u0107 & \u0160mid. <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Co-financed by the Minister of Culture and National Heritage from the Culture Promotion Fund – a state earmarked fund.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Partner:<\/strong><\/p>\n

ASP, Piran Coastal Galleries<\/p>\n

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Media partner:<\/strong><\/p>\n

Tr\u00f3jmiasto.pl, Presti\u017c Magazyn Tr\u00f3jmiejski<\/span>, Gda\u0144sk.pl<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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with Aina \u0160MID, Tja\u0161a KANCLER, Jovita PRISTOV\u0160EK Venue: G\u00fcnter Grass Gallery in Gda\u0144sk Dates: 08.10-15.12.2024 Opening night: October 8, 2024 at 6 PM Curator: \u0141ukasz Guzek Co-Curator: Mara Ambro\u017ei\u010d Verderber Exhibition project: Marina Gr\u017eini\u0107 i Jovita Pristov\u0161ek Conference: 09.10.2024, 2.00 PM | Europejskie Centrum Solidarno\u015bci…<\/p>","protected":false},"author":2,"featured_media":28638,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":"","_wp_rev_ctl_limit":""},"categories":[111],"tags":[97],"class_list":["post-28648","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-4g-en","tag-single-photo"],"acf":{"data_rozpoczecia":"20241008","data_zakonczenia":"20241215","miejsce":"4G"},"_links":{"self":[{"href":"https:\/\/ggm.gda.pl\/en\/wp-json\/wp\/v2\/posts\/28648","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ggm.gda.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ggm.gda.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ggm.gda.pl\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ggm.gda.pl\/en\/wp-json\/wp\/v2\/comments?post=28648"}],"version-history":[{"count":5,"href":"https:\/\/ggm.gda.pl\/en\/wp-json\/wp\/v2\/posts\/28648\/revisions"}],"predecessor-version":[{"id":28876,"href":"https:\/\/ggm.gda.pl\/en\/wp-json\/wp\/v2\/posts\/28648\/revisions\/28876"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ggm.gda.pl\/en\/wp-json\/wp\/v2\/media\/28638"}],"wp:attachment":[{"href":"https:\/\/ggm.gda.pl\/en\/wp-json\/wp\/v2\/media?parent=28648"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ggm.gda.pl\/en\/wp-json\/wp\/v2\/categories?post=28648"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ggm.gda.pl\/en\/wp-json\/wp\/v2\/tags?post=28648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}