{"id":23401,"date":"2023-10-16T10:48:50","date_gmt":"2023-10-16T08:48:50","guid":{"rendered":"https:\/\/ggm.gda.pl\/?p=23401"},"modified":"2024-07-22T11:36:42","modified_gmt":"2024-07-22T09:36:42","slug":"the-falowiec-phenomenon-the-genesis-and-reception-of-the-icon-of-gdansks-architecture","status":"publish","type":"post","link":"https:\/\/ggm.gda.pl\/en\/23401\/the-falowiec-phenomenon-the-genesis-and-reception-of-the-icon-of-gdansks-architecture\/","title":{"rendered":"The Falowiec Phenomenon \u2013 the genesis and reception of the icon of Gda\u0144sk\u2019s architecture"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>The Falowiec Phenomenon \u2013 the genesis and reception of the icon of Gda\u0144sk\u2019s architecture<\/strong><\/p>\n<p style=\"text-align: justify;\">\u00a0<\/p>\n<p style=\"text-align: justify;\"><strong>Curator: <\/strong>Klaudiusz Grabowski<br \/><strong>Vernissage<\/strong>: 27 October 2023. 6.00 PM &#8211; 9.00 PM<br \/><strong>Duration<\/strong>: 17 October 2022 to 15 January 2024<br \/><strong>Venue<\/strong>: GGM2, ul. Powro\u017anicza 13\/15<br \/><strong>Visual identification<\/strong>: Ania Witkowska<br \/><strong>Arrangement:<\/strong> Alicja W\u00f3decka\u00a0<br \/><strong>Cooperation:<\/strong> Katarzyna Wr\u00f3blewska, Andrzej Zagrobelny<\/p>\n<p style=\"text-align: justify;\"><br \/><strong>Opening times<\/strong>: Tuesday-Sunday, 12.00 PM-6.00 PM<\/p>\n<p style=\"text-align: justify;\">Tickets: PLN 10 \u2013 regular ticket, PLN 7 \u2013 reduced ticket, PLN 5 \u2013 group ticket (free admission on Thursdays and during the vernissage)<\/p>\n<p style=\"text-align: justify;\">\u00a0<\/p>\n<p style=\"text-align: justify;\">\u00a0<\/p>\n<p style=\"text-align: justify;\">When they began to be built, they aroused great interest \u2013 they were considered the pride of Gda\u0144sk\u2019s buildings. Next to the Crane and Oliwa Cathedral, the Falowce were a mandatory point of tours in every guidebook. Over time, Falowce began to have a bad reputation. Just like other \u201cblock housing complexes\u201d, and indeed the entire Polish society, they were affected by the economic crisis, which intensified in the 1980s and 1990s. However, a lot has changed since then, the buildings are being renovated and the apartments therein have become a desirable address. Falowce are located in a well-connected district, and their unique advantage is the proximity of a sandy beach and the sea.<\/p>\n<p style=\"text-align: justify;\">\u00a0<\/p>\n<p style=\"text-align: justify;\">The intriguing form of the bent Falowce makes it impossible to ignore them. The building has been portrayed, or has become an inspiration for artists and creators of various disciplines. The Falowce also inspire young people who use the building as an intriguing background on social media. As writer and artist Salcia Ha\u0142as wrote about Falowiec:<\/p>\n<p style=\"text-align: justify;\">\u00a0<\/p>\n<p style=\"text-align: justify;\">\u201c\u2026I believe it is beautiful, just not in a very subtle way. And staggeringly vast. Like a gothic cathedral, but across\u201d.<\/p>\n<p style=\"text-align: justify;\">\u00a0<\/p>\n<p style=\"text-align: justify;\">The exhibition will allow to understand the fascination with unusual residential buildings by indicating their genesis and reception among contemporary artists and creators. It is worth remembering that they might not have been built at all \u2013 their place could have been taken by a row of skyscrapers. The chief designer managed to maintain the assumptions of the original concept, but had to make concessions (the first two versions of the buildings were rejected). The first one assumed the construction of a building with very diversified shape and varying heights \u2013 from two to twelve floors. The second version was designed \u2013 it included covered, suspended galleries, but this idea was also forfeited as it was too expensive. Thus, the Falowce that we admire today are the third of the proposed variants.<\/p>\n<p style=\"text-align: justify;\">\u00a0<\/p>\n<p style=\"text-align: justify;\">The exhibition presents objects from the collections of:<\/p>\n<p style=\"text-align: justify;\">Archiwum Pa\u0144stwowego w Gda\u0144sku<\/p>\n<p style=\"text-align: justify;\">Archiwum Wydzia\u0142u Urbanistyki i Architektury Urz\u0119du Miasta Gda\u0144ska<\/p>\n<p style=\"text-align: justify;\">Kosycarz Foto Press<\/p>\n<p style=\"text-align: justify;\">Teatru Miniatura w Gda\u0144sku<\/p>\n<p style=\"text-align: justify;\">Urz\u0119du Miasta Gda\u0144ska\u00a0<\/p>\n<p style=\"text-align: justify;\">Zach\u0119ty Narodowej Galerii Sztuki\u00a0<\/p>\n<p style=\"text-align: justify;\">Jacka Friedricha<\/p>\n<p style=\"text-align: justify;\">Klaudiusz Grabowskiego<\/p>\n<p style=\"text-align: justify;\">Jakuba Kowalskiego (Dawne Przymorze)<\/p>\n<p style=\"text-align: justify;\">Danuty Ol\u0119dzkiej<\/p>\n<p style=\"text-align: justify;\">\u00a0<\/p>\n<p style=\"text-align: justify;\">and creative works from:<\/p>\n<p style=\"text-align: justify;\"><span class=\"x193iq5w xeuugli x13faqbe x1vvkbs x1xmvt09 x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm xzsf02u\" dir=\"auto\">Milena Banaszewska<\/span><\/p>\n<p style=\"text-align: justify;\">Magda Danaj<\/p>\n<p style=\"text-align: justify;\">Adam Kosik<\/p>\n<p style=\"text-align: justify;\">Konrad Kr\u00f3likowski<\/p>\n<p style=\"text-align: justify;\">Chris Niedenthal<\/p>\n<p style=\"text-align: justify;\">Agata Nowosielska<\/p>\n<p style=\"text-align: justify;\">Bart\u0142omiej Ponikiewski<\/p>\n<p>Julita W\u00f3jcik<\/p>\n<p style=\"text-align: justify;\">Marek Zygmunt<\/p>\n<p style=\"text-align: justify;\">\u00a0<\/p><p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"<p>The Falowiec Phenomenon \u2013 the genesis and reception of the icon of Gda\u0144sk\u2019s architecture \u00a0 Curator: Klaudiusz GrabowskiVernissage: 27 October 2023. 6.00 PM &#8211; 9.00 PMDuration: 17 October 2022 to 15 January 2024Venue: GGM2, ul. Powro\u017anicza 13\/15Visual identification: Ania WitkowskaArrangement: Alicja W\u00f3decka\u00a0Cooperation: Katarzyna Wr\u00f3blewska, Andrzej&#8230;<\/p>","protected":false},"author":5,"featured_media":23389,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":"","_wp_rev_ctl_limit":""},"categories":[135],"tags":[97],"class_list":["post-23401","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive-of-events","tag-single-photo"],"acf":{"data_rozpoczecia":"20231027","data_zakonczenia":"20240121","miejsce":"GGM2"},"_links":{"self":[{"href":"https:\/\/ggm.gda.pl\/en\/wp-json\/wp\/v2\/posts\/23401","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ggm.gda.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ggm.gda.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ggm.gda.pl\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/ggm.gda.pl\/en\/wp-json\/wp\/v2\/comments?post=23401"}],"version-history":[{"count":5,"href":"https:\/\/ggm.gda.pl\/en\/wp-json\/wp\/v2\/posts\/23401\/revisions"}],"predecessor-version":[{"id":23664,"href":"https:\/\/ggm.gda.pl\/en\/wp-json\/wp\/v2\/posts\/23401\/revisions\/23664"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ggm.gda.pl\/en\/wp-json\/wp\/v2\/media\/23389"}],"wp:attachment":[{"href":"https:\/\/ggm.gda.pl\/en\/wp-json\/wp\/v2\/media?parent=23401"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ggm.gda.pl\/en\/wp-json\/wp\/v2\/categories?post=23401"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ggm.gda.pl\/en\/wp-json\/wp\/v2\/tags?post=23401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}